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Marshall Baron

Marshall Baron

Artist | Lawyer | Music Critic | Humanist

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Category: Music Critiques

Posted on 07/04/1965

Difficult task for soloist

There are a few works in music which inhabit some knife-edge between jubilation and tragedy, miraculously participating in both, but submerged in neither. Among these are Mozart’s Grosse Fugue and the final Hallelujah in the minor key in Bach’s cantata, Christ Lag in Todesbanden.

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Posted on 29/03/1965

Child of the opera house Рnot church

After completing William Tell, Rossini went into musical silence for 39 years, broken only – apart from some trite jottings – by his Stabat Mater and the Petit Messe Solenelle.

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Posted on 14/12/1964

Mature playing at R.A.M. concert

The Rhodesian Academy of Music’s periodic presentation concerts give the public an opportunity to keep in touch with its work. Friday evening’s concert gave a firm impression of progress in every field of performance.

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Posted on 09/12/1964

Fine Messiah sung by City chorus

Handel’s vision of redemption in the Messiah is no less exhalted or deeply felt for being express in open-hearted, forthright musical language.

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Posted on 13/11/1964

Music at its best

It is well known that it does not rain if you close the car windows. I am afraid, therefore, to say too much about what sounds like a new “high” in orchestral playing in Bulawayo in case it should cause a similar effect.

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Posted on 06/11/1964

Pleasing City Recital

Marjorie Hird’s singing was always notable for ease of delivery and wholesome charm. Her Bulawayo lunch-hour recital yesterday for the Rhodesian Academy of Music showed that in the two years since her last such appearance, she had made big strides in voice control.

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Posted on 15/10/1964

Any fears banished by violinist

For a 25-year-old violinist, the programmed look ambitious – Bach’s great Chaconne, Brahms’ late D. minor sonata, and Debussy’s elusive G. minor sonata

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Posted on 08/10/1964

Sonata was in wrong sequence

The practice of planning concert programmes in chronological sequence of works is firmly established, but perhaps there are occasions when the traditions should be relinquished.

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Posted on 01/10/1964

Iolanthe easy on the ear

Just 25 years ago, G.B. Shaw’s plays were the last word in fashionable heresy. They are almost forgotten now, while the older Gilbert and Sullivan operettas, whose barbs are certainly gentler, but which prod at some of the same venialities, always find an audience.

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Posted on 23/09/1964

Irritating Problem at City Concert

Last night’s concert by the Bulawayo Municipal Orchestr, under Hugh Fenn, turned out a series of honourable near-misses. This sort of thing can be more irritating than downright failure.

Continue reading “Irritating Problem at City Concert”

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