Elsie Hall, a remarkable South African pianist, was soloist at the Bulawayo Music Club’s monthly meeting last night.
The Rhodesian Academy of Music’s monthly lunch-hour concert at Bulawayo City Hall yesterday featured pupils who gained first-class awards in the recent Eisteddfod.
Israeli pianist Mindru Katz’s total involvement in the music he is playing makes his performance (City Hall, Bulawayo, last night) often as urgent and intense as the act of composition must have been.
The oboe is one of the most obdurately difficult of the wind family to master. At 30, the Swiss player Heinz Holliger, who played in Bulawayo last night accompanied by Edith Picht-Axenfeld, is without doubt already a virtuoso of the first rank.
The standard of Bulawayo Municipal Orchestra’s playing under Hugh Fenn at the City Hall last night provided a further eloquent plea for the orchestra’s survival.
Diploma students from the Rhodesian Academy of Music provided an entertaining lunch-hour recital at Bulawayo City Hall yesterday.
What sort of criteria does one apply when evaluating the merits of one string quartet as against another? So many things are relevant – the members’ individual capacities as musicians, their unanimity of attack, quality of tone, temperamental compatibility, unity of concept about the shaping of a phrase, the unfolding of a movement, consistency, presence and other things, too.
The St. John’s Singers, conducted by Hugh Fen with Leslie Owens (organ) performed Charles Wood’s setting of the St. Mark Passion at St. John’s Cathedral last evening.
The genius of Mozart is so multi-faceted that arguments can be made for wide diversities of interpretation.
Every significant artist since time began has something of the anarchist. Imitation of what others have already said is only craft. Art is the single-minded crystallization of a wholly personal vision, answerably only to its own sense of relevance. This is true equally of the executant as the creator.